Notes on the One Act Plays

(1) Sure Thing, by David Ives

This very light-hearted comedy presents us with some intriguing questions: What if we could "start over" in relationships and take back our mistakes? Superficially, this prospect sounds wonderful, but would "sure things" lead to "real" and "wholesome" relationships?

There is, of course, plenty of irony here, too, beginning with the title. Where is the "sure thing" in any relationship? Note also, for example: "Labels are not important" (Yes, they ARE!); or, "It's all in the timing." (How true!!). Note also the allusion to Bananas (in which Fielding must make himself "good enough" for Nancy -- much the way our charming Bill & Betty must do for one another!).

Even a very short play can have something to say -- and something to teach us!

(2) Notes on Los Vendidos, by Luis Valdes

Ms. Jimenez is completely anglicized -- even the way she (mis)pronounces her name. The Republican office of Governor Reagan clearly wants the Mexican just for show (a political expedient!). However, the Farm Worker doesn't speak English; Ms. Jimenez insists on an English-speaker. Johnny Pachuco fights with a knife and has been arrested (and makes "a great scapegoat"!). Alas, "We can't have any more thieves in the State Administration," notes the Secretary! The Revolucionario (a lover!) was made in Mexico; she wants an American-made product (and note the unintended irony vis-a-vis Reagan!!). Then there is the Mexican American, who spouts Uncle-Tom-like comments. He seems viable until he -- and the others -- turn on Ms. Jimenez. The ultimate irony/surprise comes with our surprise ending: It is Sancho who is the robot!

Did this short drama "give you something to think about"? Even if it didn't inspire you "to social action," perhaps you can comment on the way politicians are "playing" the Hispanic vote. Have you ever encountered ethnic stereotyping? You should also recognize the satire as well as the implicit prejudice.